Called to More
Praise Song
Music and Text by Andrew Halladay.
Dedicated to Cross of Christ in Honor of the “Called to More” campaign.
Premiered by Proclaim, at Cross of Christ Lutheran Church, Broomfield, Colorado, May 1, 2011.
Recording of Andrew Halladay.
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Easter Sunday was a great success. I was very happy with the music we made, and the excitement of the great celebration we contributed to. Thank you all who made this day special for Cross of Christ. We were able to make a last minute recording of our service. The sound quality is not superb, but I’m grateful to have a chance to remember what we were able to do. Here’s some of the music we made at the 11:15 a.m. service on Easter Sunday
Antiphon
from “Five Mystical Songs” by Ralph Vaughan Williams. Arranged for brass quintet, choir, and piano by Andrew Halladay.
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Jesus Christ Is Risen Today (Easter Hymn)
hymn by J. Walsh, arr. John Kuzma
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Hail Thee, Festival Day (Salve Festa Dies)
hymn by Ralph Vaughan Williams, arr. John Kuzma
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Christ Is Alive! Let Christians Sing (Truro)
hymn by T. Williams. arr. Andrew Halladay
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Recordings of Soli Dei Choir; Paul Sprowell, trumpet; Matthew Smith, trumpet; Kevin Lam, Horn; Dan Mueller, trombone; Eric Hom, tuba; Marilyn Kopperud, piano/organ; Debbi Davis, cymbals; Andrew Halladay, conductor
Antiphon
from “Five Mystical Songs” by Ralph Vaughan Williams. Arranged for brass quintet, choir, and piano by Andrew Halladay.
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Christ Is Alive! Let Christians Sing (Truro)
hymn by T. Williams. Arranged for brass quintet, choir, organ, and cymbals by Andrew Halladay.
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Recordings of Soli Dei Choir; Paul Sprowell, trumpet; Matthew Smith, trumpet; Kevin Lam, Horn; Dan Mueller, trombone; Eric Hom, tuba; Marilyn Kopperud, piano/organ; Debbi Davis, cymbals; Andrew Halladay, conductor
Cross of Christ Lutheran Church’s choir Soli Dei performed my cantata, “Rejoice! Rejoice! Emmanuel!” under my direction during worship on December 19, 2010. I made an arrangement for brass for this performance which was played by Capitol Brass, with Art Bragg on organ. Here are the recordings from that morning.
Rejoice! Rejoice! Emmanuel!
I. Hushed Were the Courts of Heav’n
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II. Rejoice! Rejoice! Emmanuel
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III. What Child Is This?
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IV. Hodie
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(David Kessner, recording engineer)
Dear Soli Dei,
Here’s some recordings of “Rejoice! Rejoice! Emmanuel!” to help you with home practice. I’m looking forward to our upcoming performance. I know we will have a wonderful performance.
Grace and peace,
Andy
Premier Performance
Performed by the Chancel Choir of Westminster United Methodist Church
I. Hushed Were the Courts of Heav’n
II. Rejoice! Rejoice! Emmanuel
III. What Child Is This? (This is a previous edition, not what we are singing)
IV. Hodie
Practice Recordings
Rendering of Midi file
I. Hushed were the courts of Heav’n
II. Rejoice! Rejoice! Emmanuel
III. What Child Is This
IV. Hodie
The Widow, the Orphan, and the Immigrant
Duet for Oboe/English Horn, and Guitar
Movements
I. The Widow
II. The Orphan
III. The Immigrant
Commissioned by Parlando School for the Arts, Boulder, Colorado for Mountain Music Duo.
Premiered by Mountain Music Duo, at Nederland Community Presbyterian Church October 17, 2010.
Video of Mountain Music Duo at Nederland Community Presbyterian Church, October 17, 2010
I was in the mood for a little improvisation, and I feel like this little ditty captures my mood very well. All the sounds in this are derived from a single electric bass guitar track. It’s amazing what a smattering of effects can do, and create for that matter.
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I recently delivered a piece I’ve been working on for the last couple of months for Mountain Music Duo. It seem to be stuck on the octatonic scale still. It’s a good fit for the piece, though. The three characters come from the Old Testament (primarily Deuteronomy). The trio seem to represent societal outcasts, so this piece embodies the characteristics of the three. I am looking forward to our upcoming recording session and interview with Colorado Public Radio’s Charley Samson, for his show “Colorado Spotlight.” This will be my radio debut. Hopefully, I can say something profound.
Anyhow, Tenly and James have been great to work with, and I’m looking forward to our upcoming adventures. Thank you again, to Parlando for funding this commission.
I finally came up with a name for my new piece. Though I have had a few sketches down for a while now, it hasn’t been apparent what direction this piece was going until it hit me in a staff meeting at church. We had a short devotional before the meeting that talked about the idea of “the widow, the orphan, and the immigrant” and how these characters represented societal outcasts in the Old Testament. It seemed a perfect fit for the mood. Though I don’t expect my piece to make a theological statement, having these three characters is a perfect fit for the three movements I planned for. Call it serendipity, or something more, it will be a perfect fit.
Now, the magic starts as my creative energies are teeming!
This is an ever expanding list of my most favorite hymn tunes (and chant melodies). Hymns are very dear to my heart and I am insistent upon maintaining their relevancy in worship. Some of these move me as much as works of greater magnitude (like a Beethoven symphony). These are, however, in alphabetical order, not order of preference.
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